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An invaluable resource for dance teachers everywhere
- Sales Rank: #1050445 in Books
- Published on: 2008-09-04
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .80" w x 6.00" l, 1.00 pounds
- Binding: Paperback
- 288 pages
- ISBN13: 9780813032528
- Condition: Used - Good
- Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Review
"Presents us with far more than any other ballet technique books - a rare look into Balanchine's studio from its earliest days to the time of his company's pinnacle years. A major contribution to the preservation of the Balanchine legacy." - Tamara Tomic-Vajagic, correspondent, Orchestra Dance Magazine "The most compelling aspect of the book for me was the detail of the classes that George Balanchine taught! It's all there! This book is invaluable for all dancers! " - Vida Brown Olinick, former ballet mistress, New York City Ballet"
About the Author
Barbara Walczak studied with Balanchine from the 1940s to the 1960s, appearing as a soloist with the New York City Ballet. She has served as a guest instructor at the School of American Ballet and currently teaches ballet in New York City. Una Kai, a founding member of the New York City Ballet, worked closely with Balanchine as a student and later as assistant ballet mistress and ballet master for the company.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Teaching Students about Balanchine
By G'town dance teacher
I use this book to show my students the way George Balanchine taught ballet technique and what his reasons were for teaching this way. I have used several of his class examples to teach the importance of repetition and "getting it right" at the barre, so in turn, it will be danced correctly in center work.
4 of 4 people found the following review helpful.
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By Danka
If you teach ballet, their is no master worth studying more than Balanchine. Great book.
10 of 10 people found the following review helpful.
A comprehensive and excellent source of inspiration
By D. W. Arkin
This is an excellent book, reminding me of what I learned from my teachers at SAB and from Mr. Balanchine and my time in the company. I love the anecdotes, the comprehensive combinations with musical timing and the detailed combinations. I also love that Ms. Walzak and Ms. Kai state that this is for dancers who have already been trained in classical ballet! An inspiring and useful book in every way. I carry it with me and find myself using it often. A sincere and heartfelt thank you to these two incredible teachers.
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