Sabtu, 29 September 2012

[D763.Ebook] Ebook Resounding Afro Asia: Interracial Music and the Politics of Collaboration (American Musicspheres), by Tamara Roberts

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Resounding Afro Asia: Interracial Music and the Politics of Collaboration (American Musicspheres), by Tamara Roberts

Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked -and marketed - under a single racial label. Resounding Afro Asia examines music projects that counter this convention; these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture industry. Giving voice to four contemporary projects, author Tamara Roberts traces black/Asian engagements that reach across the United States and beyond: Funkadesi, Yoko Noge, Fred Ho and the Afro Asian Music Ensemble, and Red Baraat. From Indian funk & reggae, to Japanese folk & blues, to jazz in various Asian and African traditions, to Indian brass band and New Orleans second line, these artists live multiracial lives in which they inhabit - and yet exceed - multicultural frameworks built on essentialism and segregation.

When these musicians collaborate, they generate and perform racially marked sounds that do not conform to their individual racial identities. The Afro Asian artists discussed in this book splinter the expectations of racial determinism, and through improvisation and composition, articulate new identities and subjectivities in conversation with each other. These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.S. popular music history, while highlighting interracial engagements that have fueled U.S. music making. The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music.

  • Sales Rank: #1804359 in Books
  • Published on: 2016-03-15
  • Released on: 2016-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .60" w x 9.20" l, .0 pounds
  • Binding: Paperback
  • 248 pages

About the Author

Tamara Roberts Assistant Professor of Music at University of California, Berkeley, where she teaches courses on popular music and politics. Other publications include Yellow Power, Yellow Soul: The Radical Art of Fred Ho (co-edited with Roger Buckley) and articles and essays in multiple journals and anthologies.

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Jumat, 28 September 2012

[W890.Ebook] PDF Ebook The Death Cure (Maze Runner, Book 3), by James Dashner

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The Death Cure (Maze Runner, Book 3), by James Dashner

Read the third book in the #1 New York Times bestselling Maze Runner series, perfect�for fans of The Hunger Games and Divergent. The first and second books, The Maze Runner and The Scorch Trials, are now major motion pictures featuring the star of MTV's Teen Wolf, Dylan O’Brien; Kaya Scodelario; Aml Ameen; Will Poulter; and Thomas Brodie-Sangster! Also look for James Dashner’s newest series, the Mortality Doctrine: The Eye of Minds, The Rule of Thoughts, and The Game of Lives.

It’s the end of the line.

WICKED has taken everything from Thomas: his life, his memories, and now his only friends—the Gladers. But it’s finally over. The trials are complete, after one final test.

Will anyone survive?

What WICKED doesn’t know is that Thomas remembers far more than they think. And it’s enough to prove that he can’t believe a word of what they say.

The truth will be terrifying.

Thomas beat the Maze. He survived the Scorch. He’ll risk anything to save his friends. But the truth might be what ends it all.

The time for lies is over.

Praise for James Dashner and the Maze Runner series:
A #1 New York Times Bestselling Series
A USA Today Bestseller
A Kirkus Reviews Best Teen Book of the Year
An ALA-YASLA Best Fiction for Young Adults Book
An ALA-YALSA Quick Pick

“[A] mysterious survival saga that passionate fans describe as a fusion of Lord of the Flies, The Hunger Games, and Lost.” —EW.com

“Wonderful action writing—fast-paced . . . but smart and well observed.” —Newsday

“[A] nail-biting must-read.” —Seventeen.com

“Breathless, cinematic action.” —Publishers Weekly

“Heart-pounding to the very last moment.” —Kirkus Reviews

“Exclamation-worthy.” —Romantic Times

“Take a deep breath before you start any James Dashner book.” —Deseret News

  • Sales Rank: #35331 in Books
  • Brand: Delacorte Books for Young Readers
  • Published on: 2011-10-11
  • Released on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.62" h x 1.06" w x 5.87" l, .95 pounds
  • Binding: Hardcover
  • 327 pages
Features
  • A trilogy of great quality

Review
Praise for James Dashner and the Maze Runner series:
A #1 New York Times Bestselling Series
A USA Today Bestseller
A Kirkus Reviews Best Teen Book of the Year
An ALA-YASLA Best Fiction for Young Adults Book
An ALA-YALSA Quick Pick

“[A] mysterious survival saga that passionate fans describe as a fusion of Lord of the Flies, The Hunger Games, and Lost.” —EW.com

“Wonderful action writing—fast-paced . . . but smart and well observed.” —Newsday

“[A] nail-biting must-read.” —Seventeen.com

“Breathless, cinematic action.” —Publishers Weekly

“Heart-pounding to the very last moment.” —Kirkus Reviews

“Exclamation-worthy.” —Romantic Times

“Take a deep breath before you start any James Dashner book.” —Deseret News

About the Author

James Dashner is the author of the #1 New York Times bestselling Maze Runner series: The Maze Runner, The Scorch Trials, The Death Cure, The Kill Order and The Fever Code, as well as the bestselling Mortality Doctrine series: The Eye of Minds, The Rule of Thoughts, and The Game of Lives. Dashner was born and raised in Georgia, but now lives and writes in the Rocky Mountains. To learn more about him and his books, visit JamesDashner.com, follow @jamesdashner on Twitter, and find dashnerjames on Instagram.

Most helpful customer reviews

234 of 245 people found the following review helpful.
A disappointing finale
By Bookphile
The more I read dystopian/speculative fiction, the more I realize just how difficult a genre it is. Everything has to be placed so perfectly, all plot twists in a nice, neat line. There has to be a great deal of logic to the world that is created and, when the final chapter is closed, all must be revealed or the author runs the risk of leaving the reader confused. Unfortunately, as I finished the last word of this book, my first thought was, "Huh?" Spoilers will follow, so don't read any further if you don't want to know any of the details.

When I read The Maze Runner, I thought it was a really innovative, creepy idea. It was interesting to speculate about who had thrown the boys and Teresa in the maze and why they were there. The small details that were doled out really helped this atmosphere. When I read The Scorch Trials, though, I felt like things started to fall apart a bit. There was still so little known, so little that made sense. And now, with The Death Cure, I can't help but feel unsatisfied with the story overall. There is still so much of it that I don't understand. As I read the book, I realized that a few things should have been happening: for one, more information should have been doled out over the course of the series. I didn't want Dashner to give everything away in the first book, but there should have been more flashes of memory on Thomas's part, particularly after he went through the Changing. This would have helped solidify details about the world, which would have gone a very long way toward making the events of The Death Cure make sense.

The biggest problem I had with The Death Cure was that it felt to me like Thomas was just flailing along the entire novel, with one instance of sheer dumb luck after another. The world was like a blur, and it was hard to figure out exactly what was going on. I had the sense that Dashner was rolling out setting after setting to show the reader, "See, this is what the world is like!" This would have been fine, had there been an actual purpose to each setting, but it felt more to me like I was being taken on a tour of the world, rather than watching the plot unfold. I strongly feel that there should have been a plan, that Thomas's actions should have had a more deliberate course of action. I just can't buy that he somehow manages to bumble around and, ultimately, is successful. I guess you could say that WICKED orchestrated this, but that just doesn't feel right to me. There were too many variables (yes, I know how much WICKED loves those) for there to be any reasonable expectation that things would play out the way they did.

The other major flaw, to me, lay in the fact that Thomas decided not to get his memory back. While I understood his reasoning, and could buy it, I think it did the novel a real disservice. Had Thomas regained his memory, and had the reader been given a window through which to view the gradual decline and collapse of the world, WICKED's motivations would have made more sense. As it is, I really feel that their motivations made little sense at all. Yes, they said they were trying to find a cure for the Flare. But that doesn't answer the question of why they had to set up such elaborate, physical experiments as part of their research. While one of the characters does explicitly state that WICKED was out of control, using up what few resources remained in their mad pursuit for a cure rather than trying to preserve what was left of the population, I felt that there was still just no good explanation for what they had done. Why couldn't they have simply hooked Thomas and his friends up to machine, induced hallucinations, and measured their brain activity that way? Why did they have to drop them into a maze to get the information they wanted?

Thomas's choice not to regain his memory also had a very adverse affect on Teresa as a character. She just does too many 180 degree turns to really be believable. I liked her so much in the first book, considerably less in the second, and was completely disappointed in her in the third. She becomes nothing more than a plot device, really. Her moment of redemption in sacrificing herself to save Thomas just fell flat because, by that point, she was such an enigma. Had Thomas regained his memories and had the reader been given more insight into what drove Teresa to become what she did, she'd have been more of a well-rounded character.

Lastly, I just couldn't get behind the idea of Jorge and Brenda, and the fact that they had been inserted from day one solely to achieve the ends desired by the Chancellor. Thomas trusts them much too quickly, and his friends acquiesce much too easily, even though they never cease to be suspicious of Brenda in particular.

The ultimate revelation also just didn't make sense to me. Exactly why was the Flare released? The Chancellor says that it was meant as a means of controlling the population, but there's no explanation of why the population needed to be controlled after the solar flares. If an author is going to drop a bomb like this, the reader should have a sense that everything is coming together, a sense that I felt was entirely lacking.

I'm really disappointed by the ending of this series, which is a shame because it was off to such an intriguing start.

286 of 300 people found the following review helpful.
Answers? Or just more questions?
By Christopher Lingel
*Warning -- potential spoilers below. You have been warned.*

I struggled with this book.

On the one hand, it's a good read. Fast, page-turner. I couldn't set it down, and arrived at work today tired for lack of sleep. Curse you, James Dashner!

In each installment of this series, we get to see more of the world around Thomas and his companions. From the insular maze in the opening pages of "Maze Runner" to now, our view of the world has slowly pulled back. We can see more.

Really, this is interesting stuff. So THIS is how the rest of world is dealing with the zombie apocalypse! (And let's not kid ourselves, that's basically what this is about). There are answers, finally. But not enough. I don't mind stories that are full of questions. I don't mind characters and groups with plots so thick, with so many twists and turns you'd need an entire fourth book just to explain it. But it got tiresome. Not a single character can make any kind of decision whatsoever without another character asking "But what if that's what WICKED *wants* us to do!"

And finally, when we get to the truth...

...

...

...except we never really do.

Thomas never does get his memories back. Hints are dropped that he was a mastermind of the whole thing, but we'll never know. What a wonderful struggle that would have been, as old-Thomas and new-Thomas tried to reconcile what one had planned and the other had experienced. Now THAT would have been interesting. Alas, it was not to be.

Other characters do choose to recover their memories, but that's essentially the last time the reader sees any of them. Sure, they show up at the end, but they show up just to show up, or to get killed off. Not to tell anyone what happened. Not to offer insight into the "whys" and "hows" of WICKED. Just to show up. For all the fuss that was made about them getting their memories back (if they actually did get them back, that is, and not just some fabricated recollections of WICKED), when we do see them again, I'm not sure it really makes any difference. They certainly don't seem to contribute to the final solution, really.

And speaking of the final solution... the final Death Cure... the ultimate responce to the Flare...

I don't want to call it a deus ex machina, but I'll gladly give a shiny new dime to the person who can tell me exactly where it is that Thomas and the others ultimately end up.

I realize I've been critical. Perhaps unfairly so. As a whole, the Maze Runner trilogy is a solid tale. I do not regret purchasing the books, and they shall -- for a time at least -- take up space on my bookself.

My biggest issue is that Dashner has created a story that evokes a great deal of mystery. The first two books weave a story that is intriguing not only in its own right, but also because of what is left in the dark.

My criticism is this: the final book of such a story must bring that hidden portion to light. Not necessarily all of it, but enough so that we, the readers, can have that moment when we look up from the page and go "Oooooohhhhhh! Now I get it!"

Maybe I missed it. But for me, that moment never came.

107 of 113 people found the following review helpful.
Read the first two books and skip this one entirely!
By On the Path
I cannot believe how utterly bad and horrible this book was! The first book, The Maze Runner, was one of the best sci-fi books I've read in a while. It had everything I loved about the beginning of Lost - a great mystery and a creepy environment to explore. The pacing was good and the characters, while not completely fleshed out, were believable.

Then I read the second book. A lot more information came out and some of the mystery was gone. At this point, I was just trying to figure out whether they were in a virtual reality system or the real world. I got what WICKED was about. It was pretty obvious.

SPOILERS AHEAD

Where the cracks started showing in the second book was the rotten decision by Dashner to replace Teresa with Brenda. As a female reader (who identified with Teresa in the first book), it felt like Teresa was just being discarded for a new cutie. And the whole thing about Thomas hating her because she was forced to imprison him by WICKED was just silly and not realistic.

So, in the third book, after totally hating on Teresa for her "betrayal," Thomas has NO PROBLEM with learning that Brenda had been an employee of WICKED all along. Are you kidding me?! He puts his life in her hands, no questions asked, no anger at her lying, and realizes he actually likes her (not Teresa) and barely bats an eyelash when Teresa is crushed under a rock after saving him.

I had to wonder what sort of bizarre ex-girlfriend issues Dashner had after reading that. Just awful. Bloody awful.

And that's just the most egregious example of poor characterization in this book. The rest of the book is just a stupid zombie apocalypse rip-off with Thomas and co running around like chickens with their heads cut off, reacting rather than acting, magically being connected with a resistance group, and not stopping to question if the resistance group could really be trusted even though the group violently kidnapped them.

Then the leader of the resistance group trusts Thomas with the most important part of the mission - planting the weapon disabling device. Seriously?

So the resistance group goes ahead and blows up WICKED, not caring that they are going to kill all the Immunes there, and Thomas is miraculously saved in a deux ex machine where the Chancellor writes him a letter and sends him to a "safe place" through a magical portal.

I read through this entire book of schlock hoping beyond hope that the ending would justify the stupidity - that Thomas had been in some sort of coma and manipulated by WICKED the entire time...but nope. WICKED just let him run around apparently to weed out more healthy people so they could send the best and the "smartest" through the portal.

If this is how Dashner thinks "smart" people would act, I can't imagine how he'd write stupid people.

The only theory I can come up with to justify all the brutality and stupidity in this book is that I'm explaining it to myself that everyone at WICKED (including the Chancellor) has the Flare and is seriously psycho.

Otherwise it makes no sense.

I honestly wish I had not read this book. I loved the first book, thought the second was decent, but am now so turned off by book three that I don't feel like I want to read the prequel. And Thomas? I can't stand the character now. I almost wish he'd been the one crushed by a rock at the end. Argh.

PS I am not one of those folks who hated the ending of Lost. While it was disappointing on an informational level, the ending of Lost - to me at least - was emotionally powerful and beautiful. Not the ending of The Maze Runner series. This was just written so it would look good on a big screen and the Maze could be destroyed with a lot of CGI special effects.

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Kamis, 27 September 2012

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procedures, it begins with a history of facial rehabilitative surgery, and then
focuses on approaches that have proven to be successful over the years.


For each surgical operation, you'll get key details on patient
selection, indications, contraindications, complications, and more. The book
provides step-by-step instructions for the techniques, with more than 1,000
illustrations to demonstrate the procedures. Plus, you'll find valuable tips on
non-surgical methods of enhancing the results of the procedures, such as makeup,
hair styling, or choice of clothing.


All reconstructive surgeons--oral-maxillofacial, opthalmoplastic, facial
plastic, skull base, otolaryngologic, and neuro--will find this text to be a
concise and appealing guide to treating facial paralysis. Residents will also
benefit from the wealth of information provided here.

  • Sales Rank: #3512516 in Books
  • Brand: Brand: TNY
  • Published on: 2002-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .70" w x 8.70" l, 2.55 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

Review
"If you are confused and mystified by the complexities of facial reanimation surgery, then this book is for you. . . . an excellent 'worth-the-money' book of interest and relevance to all surgeons specializing in the facial area and I am quite sure it will stimulate and greatly assist trainee and young surgeons to develop a special interest in facial paralysis rehabilitation surgery." - British Journal of Oral and Maxillofacial Surgery

If you are confused and mystified by the complexities of facial reanimation surgery, then this book is for you. . . . an excellent 'worth-the-money' book of interest and relevance to all surgeons specializing in the facial area and I am quite sure it will stimulate and greatly assist trainee and young surgeons to develop a special interest in facial paralysis rehabilitation surgery. - British Journal of Oral and Maxillofacial Surgery

From the Back Cover

Derived from the second edition of the world-famous The Facial Nerve, this targeted new book offers the most comprehensive approach to rehabilitating patients with acute and long-standing facial paralysis. Representing more than 30 years experience of doctors who have performed over 3,000 surgical procedures, it begins with a history of facial rehabilitative surgery, and then focuses on approaches that have proven to be successful over the years.

For each surgical operation, you'll get key details on patient selection, indications, contraindications, complications, and more. The book provides step-by-step instructions for the techniques, with more than 1,000 illustrations to demonstrate the procedures. Plus, you'll find valuable tips on non-surgical methods of enhancing the results of the procedures, such as makeup, hair styling, or choice of clothing.

All reconstructive surgeons--oral-maxillofacial, opthalmoplastic, facial plastic, skull base, otolaryngologic, and neuro--will find this text to be a concise and appealing guide to treating facial paralysis. Residents will also benefit from the wealth of information provided here.

About the Author
Department of Otolaryngology- Head and Neck Surgery, University of Pittsburgh School of Medicine, Pittsburgh, Pennsylvania, USA

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Senin, 17 September 2012

[P547.Ebook] Fee Download Ethics in the Workplace: Selected Readings in Business Ethics, by Robert A. Larmer

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Ethics in the Workplace: Selected Readings in Business Ethics, by Robert A. Larmer

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Ethics in the Workplace: Selected Readings in Business Ethics, by Robert A. Larmer

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Ethics in the Workplace: Selected Readings in Business Ethics, by Robert A. Larmer

Offering more theory than other texts, ETHICS IN THE WORKPLACE offers readings and more depth of coverage on topics central to studies. Students learn why ethics and philosophy are relative to business through discussion of the theories as well as readings. Cases are drawn from recent journal articles to pique students' interest in whether what happens legally should have happened morally. Study questions at the end of each section and reading test a student's knowledge of the issue and probe deeper into the ethical issues that will face them in the business world.

  • Sales Rank: #1382759 in Books
  • Color: Other
  • Brand: Brand: Cengage Learning
  • Published on: 2001-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .95" w x 7.34" l, 2.08 pounds
  • Binding: Paperback
  • 640 pages
Features
  • Used Book in Good Condition

Review
PART 1: BUSINESS AND MORALITY. 1. The Relevance of Morality to Business. 2. A Brief Introduction to Ethical Theory. PART 2: BUSINESS AND THE EMPLOYEE. 3. Bargaining, Due Process, and Employee Participation. 4. Privacy in the Workplace. 5. Sexual Harassment. 6. Safety in the Workplace. 7. Whistleblowing and Employee Loyalty. 8. Insider Trading. 9. Intellectual Property. 10. Bribery. PART 3: BUSINESS AND THE CONSUMER. 11. Advertising and Marketing. 12. Corporate Responsibility. 13. Responsibilities of Professionals. PART 4: BUSINESS AND SOCIETY. 14. Affirmative Action and Comparable Worth. 15. Business and the Family. 16. Business and the Community. 17. Business and the International Community. 18. Business and the Environment.

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0 of 0 people found the following review helpful.
Five Stars
By S. L.
Nice book.

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Selasa, 11 September 2012

[F266.Ebook] Ebook Download Cruelty and Civilization: The Roman Games, by Roland Auguet

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Cruelty and Civilization: The Roman Games, by Roland Auguet

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Cruelty and Civilization: The Roman Games, by Roland Auguet

Roland Auguet examines the Roman taste for blood and considers what the games, that strange combination of Cruelty and Civilization, reveal about the Roman mentality. He shows how the great spectacles became a part of city life - they were awaited with impatience, everyone discussed them, some applauded the action in the arena, while others booed frantically.
This book provides an exciting history of gladiators, chariot racing and other games as well as an investigation of their function and significance within society. It is essential reading for anyone who is interested in the Romans' violent form of entertainment.

  • Sales Rank: #2082881 in eBooks
  • Published on: 2012-11-12
  • Released on: 2012-11-12
  • Format: Kindle eBook

Language Notes
Text: English (translation)
Original Language: French

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29 of 36 people found the following review helpful.
Fascinating material but difficult reading
By A Customer
The book was fascinating but as it was translated from the French the wording and puncutation is often awkard. It was very difficult to stay focused while reading this book. It uses lots and lots of foreign terms/words and at times I felt I was reading a book written in a foreign lancuage. The author also seemed to assume the reader was already thoroughly familiar with the basics of the matertial presented so he jumped right into technical jargon. If you read for pleasure I wouldn't recommend this book.

30 of 39 people found the following review helpful.
thumbs down
By cecilia blanchfield
For many centuries in "civilized" Europe, the mostpopular form of mass entertainment was watching other people being putto death in horrible ways. This phenomenon reached its apex (or if you will, its nadir) during the Roman empire, with the infamous games of the amphitheater. As Roland Auguet relates, in his recent book, Cruelty and Civilization, the games had their origin in the funeral customs of wealthy Etruscan families, who would compel a few of their slaves to kill each other in ritual combat as a form of sacrifice to appease the spirit of the deceased. By the time of Caesar Augustus, these gladiatorial combats had pretty much lost any vestige of a religious character and become huge spectacles, organized with all the style of big budget Hollywood productions. Like the blockbuster movie, they often featured a cast of thousands. The big difference was that in the Roman shows, the blood was real, the stunts weren't faked, and the stars really died. Everyone loved the games. The most respectable women in Rome, the Vestal Virgins, had their own reserved seating so they could have a close-up view of men being hacked to pieces, disembowelled, or torn apart by wild animals. Roman fathers would take their sons to see murder done for the same reasons they'd take them to a hockey game today; it was good clean fun. The Romans revelled in violence in a way that is hard for us to accept or understand. In Cruelty and Civilization, Mr. Auguet promises us something more than just a standard narrative history of the Roman games; he also proposes to offer some kind of psycho-moral analysis. Unfortunately, he is such a slavish admirer of Roman culture that he can't bring himself to see it clearly. Right at the beginning of the book, he asserts that "there is nothing more incompatible with the Roman mentality than the form of cruelty known as sadism." - in spite of all the evidence to the contrary. Having ruled out the most natural and logical explanation for the games - that the Romans, like all human beings, had their dark side - Auguet is then unable to come up with any alternative theory. He raises all the usual questions but doesn't provide any new answers. So why did he bother to write the book? And why should we bother to read it?

4 of 4 people found the following review helpful.
To Read or Not To Read
By A Customer
The previous reviewers are all correct on the matter of this book-very uneven writing style and an odd presentation of Roman history. But perhaps the reason could be that this is an English translation of a French book...maybe. However, the book has some strong redeeming factors that make it worthy of your perusing. It's more than just a description of gladiator activities, the book covers all the big games popular in Roman society-even a little on theater and the torture dramas.The author does seem to know his Roman history(even though it's not presented well). He unexpectedly uses this knowledge(at odd intervals) to flesh out some of the nuances to the political and religious side of the games. Personally,I found the coverage of chariot racing quite fascinating. As others have stated already,if you're looking for a good coverage of gladiators, Michael Grant's book is the one. If animals in the arena interest you, then Daniel Mannix's book is good. But if you've read a little on this subject already, this book will add a few facts that you probably didn't know.

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Minggu, 09 September 2012

[S224.Ebook] Free Ebook Understanding Market, Credit, and Operational Risk: The Value at Risk Approach, by Linda Allen, Jacob Boudoukh, Anthony Saunders

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Understanding Market, Credit, and Operational Risk: The Value at Risk Approach, by Linda Allen, Jacob Boudoukh, Anthony Saunders



Understanding Market, Credit, and Operational Risk: The Value at Risk Approach, by Linda Allen, Jacob Boudoukh, Anthony Saunders

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Understanding Market, Credit, and Operational Risk: The Value at Risk Approach, by Linda Allen, Jacob Boudoukh, Anthony Saunders

A step-by-step, real world guide to the use of Value at Risk (VaR) models, this text applies the VaR approach to the measurement of market risk, credit risk and operational risk. The book describes and critiques proprietary models, illustrating them with practical examples drawn from actual case studies. Explaining the logic behind the economics and statistics, this technically sophisticated yet intuitive text should be an essential resource for all readers operating in a world of risk.


  • Applies the Value at Risk approach to market, credit, and operational risk measurement.
  • Illustrates models with real-world case studies.
  • Features coverage of BIS bank capital requirements.

  • Sales Rank: #2608735 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2003-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.30" l, 1.27 pounds
  • Binding: Hardcover
  • 312 pages
Features
  • Used Book in Good Condition

Review
"This book is a clear explanation of the science and art of the Value at Risk approach to risk measurement. There is no better explication of both the theory underlying the approach and its practical implementation. It is an invaluable tool to anyone involved in any type of risk management." Mark Zandi, Economy.com

From the Back Cover
A step-by-step, real-world guide to the use of Value at Risk (VaR) models, this text applies the VaR approach to the measurement of market risk, credit risk, and operational risk. The book describes and critiques proprietary models, illustrating them with practical examples drawn from actual case studies. Explaining the logic behind the economics and statistics, this technically sophisticated yet intuitive text should be an essential resource for all readers operating in a world of risk.

The text uses VaR techniques to analyze loans, derivatives, equity prices, foreign currencies and other financial instruments. Featuring comprehensive coverage of the BIS bank capital requirements, and including the latest proposals for the New Capital Accord, the book also describes the newest application of VaR techniques to operational risk measurement. The text examines the promise and the pitfalls of these risk measurement models, and makes recommendations for future research into this important area.

About the Author
Linda Allen is Professor of Finance at the Zicklin School of Business at Baruch College, City University of New York, and Adjunct Professor of Finance at the Stern School of Business, New York University. She is also the author of Capital Markets and Institutions: A Global View and co-author of Credit Risk Measurement: New Approaches to Value at Risk and Other Paradigms, (2nd edition). She is an associate editor of the Journal of Banking and Finance, Journal of Economics and Business, and Multinational Finance Journal, and has published extensively in top academic journals in finance and economics.

Jacob Boudoukh is Professor of Finance and the founding director of theCaesarea Edmond Benjamin de Rothschild Center for Capital Markets and Risk Management at the Arison School of Business, IDC; as well as holding positions at the Stern School of Business, New York University. ormerly formerly with and currently visiting Stern-NYU; and a member of the NBER. His work has been published in academic journals such as The American Economic Review, and The Journal of Financial Economics, as well as practitioner journals such as Risk.Anthony Saunders is John M. Schiff Professor of Finance and Chair of the Department of Finance at the Stern School of Business, and Economics and Finance Department Chair at New York University. He is also editor of the Journal of Banking and Finance and the Journal of Financial Markets, Institutions and Instruments, and has published Financial Institutions and Management (2nd4th edition). Professor Saunders has published widely in top journals such as Journal of Finance.

Most helpful customer reviews

11 of 11 people found the following review helpful.
First few chapters are strong introduction. Second half is too superficial.
By David R. Harper
Prior to 2008, the first three chapters were assigned by the global association of risk professionals (GARP) to Financial Risk Manager (FRM) candidates as part of an introduction to quantitative finance. More recently, Chapter Two (Quantifying Volatility in value at risk models) and chapter five (extending value at risk to operational risks) have been assigned to FRM candidates.

The weakness of the book is that it tries to cover all three risk major buckets. For each of market, credit and operational risk, there are better texts with better, and more current, treatments. It is an adequate introduction on each. The credit section is the weakest. Also, the assigned Chapter 5 on operational risk is a brisk conceptual catalog; my students (risk learners) have typically found the catalog of opRisks to be a bit too superficial and generally begs further exploration (e.g., there are no case study examples, and some of the operational risk approaches really need to be illustrated to be understood). In short, the book is not recommended for the ideas conveyed by the title.

However, the book's strength is the beginning, the first three chapters. That is, mostly, the quantitative setup for the rest. These introductory chapters are robust discussions of traditional volatility/VaR and especially their limitations. So, students of risk can learn valuable, lasting lessons; e.g., normality cannot be salvaged, scaling parametric volatility/VaR is a bit doomed, practical volatility calculation issues. So, these first three chapters are recommended.

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